Episode musical scores were written by Ron Jones. In contrast to how other composers were creating a "patronizing" and "cute" score for the show, Jones says he composed the music with regard to the audience and its intelligence. If they went on an adventure I would play it serious like Raiders of the Lost Ark.
There are four different versions of the theme song. The original version, serving as the show's opening theme, contained one verse, chorus, bridge, and then chorus. A shorter version of the opening theme was used in The Disney Afternoon lineup with the line, "Everyday they're out there making Duck Tales, woo-ooh," taken out. A full-length version of the theme song was released on the Disney Afternoon soundtrack, the third volume which was released in a set with the other two volumes in The Music of Disney: a Legacy in Song along with the full TaleSpin theme and in the November release of the Disney Classics collection.
In addition, it is heard in the end credits of DuckTales: Remastered and is also released on its official soundtrack. The full version contains a second verse, and it includes a guitar solo, which is performed with a wah-wah pedal to make it sound like duck-like noises.
It also has a fadeout ending, unlike the other versions. There is also a rare extended version that was used in the read along cassettes in It has a sequence order of verse-chorus-bridge-chorus-instrumental break-chorus. According to an interview conducted with Jeff Pescetto inhe was originally approached by Mark Mueller to cut a demo version of the theme song for Disney's approval. Although they were impressed with Pescetto's demo, Disney had decided at first to hire pop group The Jets to perform the theme song for broadcast.
However, after recording a version with the group, Disney felt that the theme song needed a different vocal style, and instead commissioned Pescetto to perform the theme. The Jets, meanwhile, later performed a full-length version of the Rescue Rangers theme song in a music video aired on The Disney Channel in Awards and nominations Daytime Emmy Awards — Outstanding Animated Programming nominated — Outstanding Animated Programming nominated — Outstanding Animated Programming for Programming One Hour or More — "Super DuckTales" won — Outstanding Film Sound Editing — Rich Harrison, Charlie King and Rick Hinson won Theme song The theme song has been widely regarded as one of the most memorable for a television program, with Dan Fletcher of TIME magazine noting its lasting impact despite being just a children's song: "Some of the lyrics might not make sense to those older than the age of 10 — we're not sure how life in Duckburg is like a hurricane, or exactly what a "duck blur" is — but the DuckTales song is still awesome.
The film follows Scrooge McDuck and his nephews as they try to defeat the evil warlock Merlock from taking over the legendary magic lamp. The film was well received by critics and audiences, but failed to meet box office expectations and several planned sequels were abandoned as a result.
It premiered on August 11, In MayTerry McGovern the original voice of Launchpad McQuack stated Finally - Various - Power Dance - February 1999 (VHS) Facebook that the entire voice cast would be replaced, stating he felt "heartsick" at the news. It was also released on September 11, for Xbox Live Arcade. A retail copy for PlayStation 3 was released on August 20, with a code to download the game and a DuckTales collector pin.
Comic books and trade paperbacks Ducktales DuckTales had two series of comic books. The first series was published by Gladstone Publishing and ran for 13 issues from toand the second series was published by Disney Comics and ran for 18 issues from to Disney also published a children's magazine based on the show, which also featured comic stories, one of which was written by Don Rosa.
Subsequent comic stories were also printed in the magazine Disney Adventures from to On August 29,Gemstone released a trade paperback of Scrooge's Quest and on October 7, it was followed by The Gold Odyssey; together they collect the majority of the Disney Comics run. The trades contain reprints of stories written by Carl Barks which were specifically adapted into television episodes of DuckTales. Both volumes start out with an introduction and compare the original comic story with its DuckTales episode counterpart.
Volume 1 also includes a two-page article delving into details on the adapting the show from the comic series. Studios announced that a new DuckTales comic series would begin May  under its kaboom! The BOOM! These issues, published —, were collected into two trade paperback volumes. One year later, Darkwing Duck was also added to this lineup. However, the show's theme song written by Mark Mueller and originally sung by Jeff Pescetto remained in English for a number of episodes.
The first Russian version of the song was replaced midway through the series with an alternate rendition that contained completely different lyrics. The series aired in India on Doordarshan, dubbed in Hindi.
The title track was sung in Hindi by Chetan Shasital. The features were dubbed and the episodes has voice cast of Chetan Shasital, Javed Jaffery, Rakshanda Khan and others. In many countries, the theme song was performed by well-known singers like in Finland, where it was sung by Pave Maijanen, or in Germany, where it was sung by Thomas Anders in English. Scrooge McDuck is called "Rico McPato" and the nephews were translated as Hugo, Paco, and Luis, keeping the names of the translated vintage cartoons and comic books.
Finally - Various - Power Dance - February 1999 (VHS) last name Picsou comes from a french expression Pique-Sou putting an emphasis around Scrooge's stingy behavior. This was the generation's first encounter with politics.
Only the episodes were dubbed and aired. The intro song was performed by a winner from Mamaia Festival, Alin Cibian. Film noir BigComboTrailer. The film's cinematographer was John Alton, the creator of many of film noir's stylized images. Hollywood's classical film noir period is generally regarded as extending from the early s to the late s. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German Expressionist cinematography.
Many of the prototypical stories and much of the attitude of classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Great Depression. The term film noir, French for "black film" literal or "dark film" closer meaning , was first applied to Hollywood films by French critic Nino Frank inbut was unrecognized by most American film industry professionals of that era.
Before the notion was widely adopted in the s, many of the classic film noir[a] were referred to as "melodramas". Whether film noir qualifies as a distinct genre is a matter of ongoing debate among scholars. Film noir encompasses a range of plots: the central figure may be a private investigator The Big Sleepa plainclothes policeman The Finally - Various - Power Dance - February 1999 (VHS) Heatan aging boxer The Set-Upa hapless grifter Night and the Citya law-abiding citizen lured into a life of crime Gun Crazyor simply a victim of circumstance D.
Although film noir was originally associated with American productions, the term has been used to describe films from around the world. Many films released from the s onward share attributes with film noirs of the classical period, and often treat its conventions self-referentially. Some refer to such latter-day works as neo-noir. Contents 1 Problems of definition 2 Background 2. Though film noir is often identified with a visual style, unconventional within a Hollywood context, that emphasizes low-key lighting and unbalanced compositions, films commonly identified as noir evidence a variety of visual approaches, including ones that fit comfortably within the Hollywood mainstream.
While many critics refer to film noir as a genre itself, others argue that it can be no such thing. Hirsch, as one who has taken the position that film noir is a genre, argues that these elements are present "in abundance".
Hirsch notes that there are unifying features of tone, Finally - Various - Power Dance - February 1999 (VHS), visual style and narrative sufficient to classify noir as a distinct genre. Others argue that film noir is not a genre. Film noir is often associated with an urban setting, but many classic noirs take place in small towns, suburbia, rural areas, or on the open road; setting, therefore, cannot be its genre determinant, as with the Western.
Similarly, while the private eye and the femme fatale are character types conventionally identified with noir, the majority of film noirs feature neither; so there is no character basis for genre designation as with the gangster film.
Nor does film noir rely on anything as evident as the monstrous or supernatural elements of the horror film, the speculative leaps of the science fiction film, or the song-and-dance routines of the musical. An analogous case is that of the screwball comedy, widely accepted by film historians as constituting a "genre": the screwball is defined not by a fundamental attribute, but by a general disposition and a group of elements, some—but rarely and perhaps never all—of which are found in each of the genre's films.
Marlene Dietrich, an actress frequently called upon to play a femme fatale The aesthetics of film noir are influenced by German Expressionism, an artistic movement of the s and s that involved theater, photography, painting, sculpture and architecture, as well as cinema. The opportunities offered by the booming Hollywood film industry and then the threat of Nazism, led to the emigration of many film artists working in Germany who had been involved in the Expressionist movement or studied with its practitioners.
ByCurtiz had already been in Hollywood for half a decade, making as many as six films a year. Movies of his such as 20, Years in Sing Sing and Private Detective 62 are among the early Hollywood sound films arguably classifiable as noir—scholar Marc Vernet offers the latter as evidence that dating the initiation of film noir to or any other year is "arbitrary".
Edeson later photographed The Maltese Falconwidely regarded as the first major film noir of the classic era. Josef von Sternberg was directing in Hollywood during the same period.
Films of his such as Shanghai Express and The Devil Is a Womanwith their hothouse eroticism and baroque visual style, anticipated central elements of classic noir. The commercial and critical success of Sternberg's silent Underworld was largely responsible for spurring a trend of Hollywood gangster films. Its visual intricacy and complex, voiceover narrative structure Finally - Various - Power Dance - February 1999 (VHS) echoed in dozens of classic film noirs. Italian neorealism of the s, with its emphasis on quasi-documentary authenticity, was an acknowledged influence on trends that emerged in American noir.
The Lost Weekenddirected by Billy Wilder, another Vienna-born, Berlin-trained American auteur, tells the story of an alcoholic in a manner evocative of neorealism. This semidocumentary approach characterized a substantial number of noirs in the late s and early s. Along with neorealism, the style had an American precedent cited by Dassin, in director Henry Hathaway's The House on 92nd Streetwhich demonstrated the parallel influence of the cinematic newsreel.
Literary sources Magazine cover with illustration of a terrified-looking, red-haired young woman gagged and bound to a post. She is wearing a low-cut, arm-bearing yellow top and a red skirt. In front of her, a man with a large scar on his cheek and a furious expression heats a branding iron over a gas stove. In the background, a man wearing a trenchcoat and fedora and holding a revolver enters through a doorway. The text includes the tagline "Smashing Detective Stories" and the cover story's title, "Finger Man".
The October issue of Black Mask featured the first appearance of the detective character whom Raymond Chandler developed into the famous Philip Marlowe. A decade before the classic era, a story by Hammett was the source for the gangster melodrama City Streetsdirected by Rouben Mamoulian and photographed by Lee Garmes, who worked regularly with Sternberg.
Released the month before Lang's M, City Streets has a claim to being the first major film noir; both its style and story had many noir characteristics. Raymond Chandler, who debuted as a novelist with The Big Sleep insoon Finally - Various - Power Dance - February 1999 (VHS) the most famous author of the hardboiled school. Where Chandler, like Hammett, centered most of his novels and stories on the character of the private eye, Cain featured less heroic protagonists and focused more on psychological exposition than on crime solving; the Cain approach has come to be identified with a subset of the hardboiled genre dubbed "noir fiction".
For much of the s, one of the most prolific and successful authors of this often downbeat brand of suspense tale was Cornell Woolrich sometimes under the pseudonym George Hopley or William Irish. No writer's published work provided the basis for more film noirs of the classic period than Woolrich's: thirteen in all, including Black AngelDeadline at Dawnand Fear in the Night Another crucial literary source for film noir was W.
Burnett, whose first novel to be published was Little Caesar, in It was turned into a hit for Warner Bros. At least one important reference work identifies the latter as a film noir despite its early date. During the classic era, his work, either as author or screenwriter, was the basis for seven films now widely regarded as film noirs, including three of the most famous: High SierraThis Gun for Hireand The Asphalt Jungle Classic period Overview The s and s are generally regarded as the "classic period" of American film noir.
While City Streets and other pre-WWII crime melodramas such as Fury and You Only Live Onceboth directed by Fritz Lang, are categorized as full-fledged noir in Alain Silver and Elizabeth Ward's film noir encyclopedia, other critics tend to describe them as "proto-noir" or in similar terms. The film now most commonly cited as the first "true" film noir is Stranger on the Third Floordirected by Latvian-born, Soviet-trained Boris Ingster.
He later played secondary roles in several other formative American noirs. It's a film too arty for average audiences, and too humdrum for others. Whoever went to the movies with any regularity during was caught in the midst of Hollywood's profound postwar affection for morbid drama. From January through December deep shadows, clutching hands, exploding revolvers, sadistic villains and heroines tormented with deeply rooted diseases of the mind flashed across the screen in a panting display of psychoneurosis, unsublimated sex and murder most foul.
Donald Marshman, Life August 25,  Most film noirs of the classic period were similarly low- and modestly-budgeted features without major stars—B movies either literally or in spirit. In this production context, writers, directors, cinematographers, and other craftsmen were relatively free from typical big-picture constraints. There was more visual experimentation than in Hollywood filmmaking as a whole: the Expressionism now closely associated with noir and the semi-documentary style that later emerged represent two very different tendencies.
Narrative structures sometimes involved convoluted flashbacks uncommon in non-noir commercial productions. Black-and-white image of a man and a woman sitting side by side on a couch, viewed at an angle. The man, in profile in the left foreground, stares off to the right of frame.
He wears a trenchcoat, and his face is shadowed by a fedora. He holds a cigarette in his left hand. The woman, to the right and rear, stares at him. Parents Guide. External Sites. User Reviews. User Ratings. External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos.
Crazy Credits. Alternate Versions. Rate This. A homicidal maniac is on the loose in the city and the low-budget film crew of a Troma movie has the power to stop them.
Director: Lloyd Kaufman. Added to Watchlist. From metacritic. So Bad, It's Good? Movies i've seen in so far. Paskaleffat Vol. Best Horror movies of All time. Share this Rating Title: Terror Firmer 6. Use the HTML below. You must be a registered user to use the IMDb rating plugin. Edit Cast Cast overview, first billed only: Will Keenan Casey Kaufman Alyce LaTourelle Jennifer Lloyd Kaufman Larry Benjamin Trent Haaga Jerry Sheri Wenden Christine Yaniv Sharon Naked P.
Charlotte Kaufman Audrey Benjamin Gary Hrbek Toddster Joe Fleishaker Jacob Gelman Ron Jeremy DJ Mo Fischer Andy Lyle Derek Asshole P. Edit Did You Know? Trivia This movie is also known as "One giant Tribute to all Troma films" as this film has many similarities to other Troma movies. Some actors with small parts in this movie were the leading characters in other Troma movies. Goofs When Kabukiman falls on top of Benjamin, it's clearly half of a dummy and not a full person.
Quotes Jerry : Hey look, wouldn't you know it? I missed a spot with the blood. Blood boy! Casey : You know Jerry, there are many ways to express oneself other then saying "more blood, more blood"! How would you like that? Casey : You shouldn't hit me. Jerry : Oh, and why is that? Casey : Well, because Crazy Credits All animals, actors or other forms of life were handled with the utmost care during the filming and were never purposely drugged, sedated or harmed.
Except for those French guys in the car, who were accidentally run over by an equipment truck after the conclusion of their dangerous scene. Additionally, for the heavier cut scenes, the movie freezes and a window appears on the screen with director Lloyd Kaufman explaining or comically re-enacting what was supposed to go on in the scene. The voices of characters uttering some swear words at some moments are replaced by an obviously mismatched voice that says the accepted version of the word.
Finally, some body parts are replaced by images of animals e. Was this review helpful to you? Yes No Report this. Language: English. Runtime: min unrated 98 min R-rated min extended cut.
Find album reviews, stream songs, credits and award information for Power Dance '95 - Various Artists on AllMusic - Find album reviews, stream songs, credits and award information for Power Dance '95 - Various Artists on AllMusic - February 21, Duration Genre. Pop/Rock Electronic. Styles. Club/Dance. Submit. COVID Resources. Reliable information about the coronavirus (COVID) is available from the World Health Organization (current situation, international travel).Numerous and frequently-updated resource results are available from this frasvesivimetse.skodarligeburmantpovazmirapabe.co frasvesivimetse.skodarligeburmantpovazmirapabe.co’s WebJunction has pulled together information and resources to assist library staff as they consider how to handle coronavirus. A middle-aged workaholic's incredibly dull life takes a funny turn when he signs up for a ballroom dance class -- just to meet the sexy dance teacher. But when he finally muscles up the nerve for lessons he winds up with a different instructor and her colorfully eccentric class of beginners!Reviews: Lists:: Best:: VH1 - Greatest Dance Songs ARTIST: TITLE: TIME: BPM: YEAR: GENRE: DISC-TRACK: DETAILS: 1: Gloria Gaynor: I Will Survive. Get this from a library! The Power of dance. [Geoff Dunlop; Rhoda Grauer; Raoul Trujillo; R.M. Productions.; WNET (Television station: New York, N.Y.); British Broadcasting Corporation. Television Service.;] -- This program examines the work of ballet legend Jacques D'Amboise at his N.Y. National Dance Institute. Includes interviews with Russian dancers, Indian gurus, American song-and-dance. That power can often ignite the flame of life-changing inspiration. Whether modern, jazz, ballet or tap, dance is a universal language. Carrie Ann Inaba is a dancer, producer, philanthropist and pioneer. She was one of the first Asian-Americans to perform contemporary dance on television in the U.S. Find album reviews, stream songs, credits and award information for Power Dance '96 - Various Artists on AllMusic - 1 day ago · Various DuckTales items appear in the Toy Box of the Disney Infinity franchise. In , the Money Bin item and Scrooge and Beagle Boy townspeople appear in addition to the "Scrooge's Lucky Dime" power disc. In , Scrooge's pile of money and a Scrooge portrait are interior items in addition to the iOS-exclusive "Scrooge's Top Hat" power disc. I saw this first in Youtube,from the start to the end,i was pinned infront of the frasvesivimetse.skodarligeburmantpovazmirapabe.comed in MGM Las frasvesivimetse.skodarligeburmantpovazmirapabe.co i said to my self,I have to buy this DVD!Cher has a unique talent in entertaining,her voice,music,beauty & glamour,flamboyance,energy & creativity is frasvesivimetse.skodarligeburmantpovazmirapabe.co sing along,dance,drop your jaw everytime she comes out in different outfit,which she is known for with /5. A original VHS recording of Cartoon Network & The Scooby-Doo Mysteries A Special Report (This isn't anything special it's just Scooby Doo episodes, it's just what Cartoon Network called it since it was a marathon of Scooby-Doo Episodes) PS I am not % sure on the actual recording date.
The Darkness - Freedom Call - Legend Of The Shadowking (CD, Album), Cave Riddim - Sippor - Blunt Forces (File, MP3), Listen Like Thieves, Alcoolic - Various - The Underground 2008 (CD), Teo Torriate (Let Us Cling Together), Agathodaimon - In Darkness (CD, Album), In Blood We Trust - InnerFire - In Blood We Trust (CD, Album), Bathing Beauty - Various - Strange Feeling - The Kapp Records Story 1958-1962 (CD)